It’s time to bring contrast back to our smartphone photos

iphone收購

It’s time to bring contrast back to our smartphone photos

It’s time to bring contrast back to our smartphone photos

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Washed out is washed up

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iphone收購

Embrace the shadows.
Photo by Vjeran Pavic / The Verge

A little while back, my colleague Mitchell Clark and I challenged each other to use our old
iphone收購iphones for the weekend — mine was an original
iphone收購iphone SE, and they had an
iphone收購iphone 5S. I bailed a few hours in after my wireless connection flaked out, and I watched the phone battery drop 10 percent in a matter of minutes. (Mitchell saw the challenge through.)

But it wasn’t a totally futile exercise. When I looked back at the photos I took during those few fleeting hours, I noticed something I hadn’t seen much of in photos from newer phones — something I hadn’t even realized I’d been missing. That thing? Contrast. It’s been out of favor in smartphone image processing lately, but there are some easy ways to bring it back to your photos. I think it’s high time we did.


iphone收購
I’ve seen enough of this Thomas Kinkade Painter of Light nonsense from my smartphone. Taken with the Motorola Edge (2022).

Remember contrast? Dark shadows with rich blacks? Highlight tones that are truly bright white? It’s probably been a while since you saw any, so here’s a refresher. Contrast comes from a time way back before the phrase “computational photography” was batted around tech websites like this one, when digital image processing was much less sophisticated than it is now.

You’ll see a lot of contrast in a scene with really bright highlights and deep shadows, like someone backlit in front of a window. Traditionally, if you weren’t using flash or doing a lot of fancy post-processing, you’d have to decide whether you wanted to expose for the highlights or the shadows because you couldn’t have both. Then, computational photography came along and asked “why not both?” By combining multiple frames with different exposure levels, we could have a final image with details both in dark shadows and in bright skies. It was great! Until it wasn’t.

This kind of computational photography — high dynamic range, or HDR, photography, to be specific — is immensely useful. The human eye can see a wider range of brights and shadows than an image sensor, so HDR brings digital images closer to what we actually see. It also saves us the embarrassment of using our camera’s flash and giving everyone in your photo that classic deer-in-headlights look. But with great power comes great responsibility, and I think we’ve collectively abused our power.


iphone收購
The foreground has been brightened thanks to HDR, and everything just looks meh. Taken with the
iphone收購iphone 11.

iphone收購
Contrast! What a concept! This was taken with the
iphone收購iphone 13 Pro Max and Apple’s “Rich Contrast” photographic style.

Most of the time, the effect isn’t too egregious, but when it goes off the rails, it’s ugly. We’ve all seen bad HDR. It flattens the sharp difference between lights and darks, pushing these tones toward a kind of milquetoast, washed-out middle ground. It’s the thing that won’t let shadows be shadows and makes your picture of a sunset look like a Thomas Kinkade painting. No part of your image is truly black or truly white. It sucks.

But it doesn’t have to be like this! In my case, I switched my
iphone收購iphone’s “Photographic Style” — a feature Apple introduced with the
iphone收購iphone 13 — to “Rich Contrast.” I shot with it over a weekend, and I don’t think I’m ever going back to the standard profile. It’s everything I liked about those
iphone收購iphone SE shots, with deep blacks and highlights that are still bright white and the benefits of a modern image sensor and better optics. 


iphone收購

iphone收購
Standard photographic style (left) and Rich Contrast (right) on the
iphone收購iphone 13. Just say yes to deep shadows.

But you don’t need a new
iphone收購iphone to bring a little contrast back to your photos. If you have an
iphone收購iphone 12 or older, try out the “dramatic” filter in the native camera app — it applies a high-contrast look that’s similar to Rich Contrast. 

In the Samsung camera app, you can tap the wand icon on the top of the screen to apply other filters. You can download additional filters right in the main camera app, and you can decrease the strength of any filter to tone down the effect. On a Galaxy S22 Plus, I downloaded the “Classic” filter by Candy Camera and turned the strength down about halfway, and I like the look of it. You can try third-party camera apps, too. Halide is a popular iOS option, though you’ll need to pay 99 cents per month to use it after a free seven-day trial. And any basic photo editing app will also let you boost contrast after the fact.


iphone收購
Embrace the shadows: shot on the
iphone收購iphone 13 Pro Max with Rich Contrast.

Your photo assignment for the week is to turn up the contrast a little and find out what you’ve been missing in our HDR-saturated world. You just might like what you see.


iphone收購蘋果將MacBook Pro(13 吋,2012年中)列入停產名單,不再提供維修。(圖/美聯社)

又一個蘋果時代過去了,蘋果最近更新全球停產名單,正式將MacBook Pro(13 吋,2012年中)列入其中,這是最後一款內建光碟機的Mac。

這款13吋MacBook Pro在2012年6月發布,是蘋果最後一款內建光碟機的Mac,一直販售到2016年10月。現在,蘋果正式將其列入全球停產名單,台灣官網尚未更新,按照慣例,很快就會跟進。

iphone收購
iphone收購

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